Prune Nourry. Terracotta Daughters exhibited at Le Centquatre, Paris. Photograph courtesy of the artist.
Prune Nourry often questions gender in her work, but the aesthetic power of 116 Terracotta Daughters is exceptionally staggering. The Parisian artist worked with a craftsman to sculpt the life-size terracotta, modeled after eight living Chinese girls. The showcase directly references Emperor Qin’s Terracotta Army, a national treasure of China dating back to ca. 210 BC, but the marked change from warrior to young girl has an undeniable symbolism.
Nourry’s showcase has traveled across Europe, making its debut in New York just in time for September Asia Week. It opened in Shanghai, and plans to be closed there: the work will be buried until 2030 just like the Terracotta Army was buried until the 1970s, hopefully to be unveiled again as an archaeological revelation.
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Editor-at-Large, Cultbytes Alexandra Bregman has written for The Wall Street Journal, Architectural Digest, The Art Newspaper, and the Asian Art Newspaper among others. She began her career with internships at Christie's and Gagosian gallery 10 years ago, later traveling to India and France for work and ghostwriting for a global CEO. Bregman spent time at Université Paris IV-Sorbonne, and completed degrees at Smith College and Columbia Graduate School of Journalism. l igram |