From 2017 to 2020, Whenhe Zhao took over 10,000 photos while drifting in and out…
Exceeding the false threshold of the skin, milk is rife with symbolism, prompting thinking beyond…
While Arte Povera often treats natural materials as they are, Italian New York-based artist Lucio…
On the occasion of The Untitled Space’s tenth anniversary, artist Annika Connor speaks to its…
Upon visiting Patel Brown Gallery in Montreal, I was met with a very large-scale woodcut–an…
On the opening night of Hairpin Beneath as part of In Practice: Zishi Han…
Lesley Bodzy’s solo show Levity and Depth at M. David & Co. is delightfully sincere…
Maria Kulikovska’s debut exhibition in New York, Once Leda Found an Egg — Blue Like…
On the eve of Valentine’s Day and in the name of love, Cortney Connolly and…
My first encounter with Nathalie Djurberg and Hans Berg’s work was at their survey exhibition…
Early January, I was at the crowded opening for SPRING/BREAK Art Show alumni Noah Kloster’s…
In a Victorian era air, the play “Shelley and Lovelace Never Met” follows its tropes—witty…
Together with Louise Fitzgerald, armed with a Polaroid camera, I visited The Winter Show for…
The minute I walked into Promiscuous Rage I was overwhelmed with emotion. Tears welling. I…
In Limbless artists working in divergent mediums and materials converge in their shared concern with…
Our perception is unreliable; it does not merely mean receiving reality, but rather an active…
As a long-time admirer and sometimes collaborator of the artist Peter Sís, I have come…
In her seminal essay “Grids” published in 1979, Rosalind Krauss argues that the grid “[declares]…