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Photography, Ritual, and the Beijing Underground 

From 2017 to 2020, Whenhe Zhao took over 10,000 photos while drifting in and out…

Patty Chang’s Unscientific Questions

Exceeding the false threshold of the skin, milk is rife with symbolism, prompting thinking beyond…

A room with art pieces on the wall AI-generated content may be incorrect.
Thirty Works, Seven Decades: Lucio Pozzi at Magazzino

While Arte Povera often treats natural materials as they are, Italian New York-based artist Lucio…

Ten Years Later, Her Feminist Gallery is Still Relevant

On the occasion of The Untitled Space’s tenth anniversary, artist Annika Connor speaks to its…

In Montreal, ‘Summoning the Ineffable’ at Patel Brown

Upon visiting Patel Brown Gallery in Montreal, I was met with a very large-scale woodcut–an…

A Performance That is Caught Between the Sky and the Ground

  On the opening night of Hairpin Beneath as part of In Practice: Zishi Han…

Lesley Bodzy Working the Surface and Depth of Memory

Lesley Bodzy’s solo show Levity and Depth at M. David & Co. is delightfully sincere…

Maria Kulikovska Resists Imperialism and Patriarchy

Maria Kulikovska’s debut exhibition in New York, Once Leda Found an Egg — Blue Like…

A Meeting of the Lovers at Susan Inglett Gallery

On the eve of Valentine’s Day and in the name of love, Cortney Connolly and…

‘Only for the Wicked’ Nathalie Djurberg & Hans Berg at Tanya Bonakdar

My first encounter with Nathalie Djurberg and Hans Berg’s work was at their survey exhibition…

A Vacation with Adam Himebauch

Early January, I was at the crowded opening for SPRING/BREAK Art Show alumni Noah Kloster’s…

Finally, a Victorian Period Piece About Accomplishment

In a Victorian era air, the play “Shelley and Lovelace Never Met” follows its tropes—witty…

Vignettes from The Winter Show’s Young Collectors Night

Together with Louise Fitzgerald, armed with a Polaroid camera, I visited The Winter Show for…

At P·P·O·W, ‘Promiscuous Rage’ Presents Ignored Archives

The minute I walked into Promiscuous Rage I was overwhelmed with emotion. Tears welling. I…

In ‘Limbless’ Fragments Contract and Intervene

In Limbless artists working in divergent mediums and materials converge in their shared concern with…

The Rift of Perception at VillageOneArt

Our perception is unreliable; it does not merely mean receiving reality, but rather an active…

The Story Behind ‘Fowl Play: Conference of the Birds’ at LaMaMa

As a long-time admirer and sometimes collaborator of the artist Peter Sís, I have come…

Broad Picnic: Pattern as Experience

In her seminal essay “Grids” published in 1979, Rosalind Krauss argues that the grid “[declares]…